Menahan Street Band
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Make the Road by Walking

10/14/2008 | Daptone 

Review

The Menahan Street Band is the brainchild of guitarist/songwriter Thomas Brenneck (Dap-Kings, The Budos Band, Amy Winehouse), and Make the Road by Walking is a sprightly album made up of funk-inflected, smooth jazz instrumentals. The "smooth" part of the jazz equation could be misinterpreted, as said smoothness speaks more to the flowing pace and easy-on-the-ears delivery than it does strict style categorization. Think of the record more as combination of (electric) Miles Davis and soul-bump and funk flavors, wrapped up in a semi-modernized package.

Jay-Z even sampled the title track (released on a 45 last year), an indication that the tunes do indeed move. These original compositions—save for "Going the Distance" from Rocky III—were recorded analog-style in Brenneck's Brooklyn domicile with a little help from friends like Homer Steinweiss, Dave Guy and Leon Michels. The songs are chock full of upbeat, brass-heavy soulsters with the occasional cool changeup or acoustic accent. By the time the listener reaches the album's final third, the absence of vocals in this style of music becomes more noticeable, especially for an album devoid of any true crescendos. However, that shouldn't preclude you from playing Make the Road by Walking at your next block party.

—Scott Alisoglu
10.26.08


All Music Guide Review

It's kind of difficult to describe what kind of music the Menahan Street Band make, although the ten tracks (there's also an unlisted 11th track) presented on this debut album share a certain pleasant, easy, and sunny vibe. All are unhurried instrumentals, and while it's tempting to call this stuff soul, it isn't that exactly. There's a jazz feel here, too, but it isn't exactly soul-jazz, either, and then there's a certain intangible Jamaican dub feel to how things are mixed, but one can't really call it dub, and while things get lightly funky now and then, it isn't funk. A loose-knit group of musicians drawn from Sharon Jones & the Dap-Kings (Dave Guy, Homer Steinweiss, Fernando Velez, Bosco Mann), El Michels Affair (Leon Michels, Toby Pazner), Antibalas (Nick Movshon, Aaron Johnson), and the Budos Band (Mike Deller, Daniel Foder), the Menahan Street Band recorded these tracks with producer Thomas Brenneck in his Menahan Street apartment in Bushwick, Brooklyn, and if it's difficult to put a finger on what their sound should be labeled, it's not difficult to like it. Tracks like "Karina" and "The Traitor" have gently hypnotic and shifting grooves that have just enough nervous energy to stay interesting. Nothing here is going to set the world on fire but nothing here is going to make the world a worse place, either. The perfect Sunday morning listen. ~ Steve Leggett, All Music Guide

Track Listing

  • Track#
  • Title
  • time
  • lyrics
  • 3
  • Home Again!
  • 3:22

  • 5
  • Karina
  • 3:25

  • 6
  • The Traitor
  • 2:42

  • 7
  • The Contender
  • 3:48

  • 8
  • Birds
  • 3:02

  • 9
  • Esma
  • 3:06

  • 11
  • (Untitled Hidden Track)
  • 0:08
  • Credits

    • Leon Michels
    • Organ, Flute, Sax (Tenor), Group Member, Conga, Piano
    • Thomas Brenneck
    • Organ, Guitar, Producer, Group Member, Mixing, Vibraphone, Sound Effects, Drums, Piano, Bass

    Notes

    Recorded entirely in analog Thomas Brenneck's Brooklyn home, which was often crammed with as many as seven musicians at a time, Menahan Street Band’s debut LP, Make the Road by Walking, redefines the idea of bedroom project. The album is bright and energetic, sonorous and warm, effortlessly enveloping itself in the Daptone funk Brenneck has helped to make flourish but also stretching itself out amiably into new territories.

    The album maintains a mood, of course – breezy but not banal, composed but not over-thought – but Brenneck's many influences besides soul and funk, from Ethio-jazz to rocksteady to film scores, also come through expertly and clearly. This is in musicianship and production, both of which are professionally spacious: the slight tape hiss, the vibes and sax seeping congenially into the room the other occupies – a thoroughly real and passionate approach and resulting sound: “The Contender” rides along loosely on a bouncy bass and picked guitar, everything pulling together for the hook but still leaving some answers unresolved, while “Karina” layers itself nicely with thoughts of piano solos and growling horns, and the Brooklyn cool version of Philly bravado end things with “Going the Distance,” from Rocky.

    Despite its studio origins, this is a band that isn’t afraid to leave the bedroom every once in a while. Their debut live performance, in fact, will be as part of the Daptone Revue, the close-out show of the Central Park SummerStage 2008 series, itself a sign of all the label has accomplished.

    Though he called on the expertise from members of the Daptone family (and extended family), including Homer Steinweiss, Dave Guy, and Leon Michels, Brenneck himself played many of the instruments when the rest of the band wasn’t around. What comes out is a fully-realized depiction of his life in Brooklyn, on Menahan Street: vibrant, exciting, and of course, very soulful.



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