If you're looking for an album to lull you to sleep or clear your mind, El Guincho's inventive Alegranza! is to be avoided like the plague. Although there are some hypnotic qualities to one-man band Pablo Díaz-Reixa's penchant for rhythmic repetition, Alegranza! is meant to invigorate rather than soothe; it's like all of the faint whispers in your head suddenly deciding to shout as one cacophonous voice. It's a thick stew of an album, colliding classic pop hooks and formless tribal chants, and blending a variety of genres from around the globe, from Tropicalia to Afrobeat. Díaz-Reixa's own roots run to Barcelona and the Canary Islands.
Using samples and loops, El Guincho sets a carnivalesque atmosphere from the outset with "Palmitos Park," one of the album's most comfortably rock-oriented tracks, and the hyperkinetic "Antillas." The trippy start to "Fata Morgana" echoes Panda Bear, whose Animal Collective cohorts also appear to be kindred spirits. As clapping and chanting carries the listener along, El Guincho layers ideas on top of ideas, offering whiffs of crystal clear hooks and classic-sounding melodies only to submerge them beneath hazy waves of sounds and effects. "Cuando Maravilla Fui" is another standout, a boisterous sing-along with aggressively gleeful percussion.
Sometimes the sensory overload is a little much. Sometimes an El Guincho fix is better served by 20 minutes than 40 minutes (a few songs meander down the stretch). Díaz-Reixa said he wanted to make "space-age exotica," and to a listener unfamiliar with some of the predecessors and traditions he's channeling, Alegranza! probably would sound like it was beamed down from outer space. Fear not, earthlings: El Guincho brings you peace. And a heckuva party, too.
—Adam McKibbin
10.10.08
Alegranza
10/21/2008 | Xl Recordings
Review
All Music Guide Review
El Guincho's debut album Alegranza is as bright as the feathers of the parrot, as sparkly as the fireworks, and as warm as the palm trees that adorn the cover. The music flows like melted butter, twists and turns like a mountain highway, and shimmers like the sun on a scorching summer day. The Spanish producer/singer throws a whole mess of ingredients into the mix, including various strains of world music (like Afro-pop, tango, Spanish folk music), indie pop, techno, and post-rock and sends it spinning into a blurred, whirling rush of sound that never falters. El Guincho uses samples, found sounds, chopped and looped instruments, and his own plaintively sweet vocals to make Alegranza; much like Panda Bear did with Person Pitch, he's created a world and sound of his own here. There are reference points both new (the trance-y, repetitive drive of Stereolab, the off-kilter, child-like soundscapes of High Places, and the hi-tech folk of Animal Collective) and old (tracks like "Kalise" sound like a modern, warped update of a classic Latin dance band record (Beny Moré or Perez Prado) and elsewhere there are samples of schoolyard chants, folk songs, and lounge ballads) but really you'd be hard pressed to find an album that mixes and matches sounds and cultures so effortlessly. Entertainingly, too, as every song on the album sounds like an excerpt from the wildest, most joyful party of the year. Finding a song more suited to cavorting about merrily than "Costa Paraiso" or "Prez Lagarto" would be a task, staying in a bad mood with "Palmitos Park" or "Fata Morgana" sailing past near impossible. The only tiny fault of the album is that there are few dynamic shifts to be found; it starts off sounding like a Technicolor blast of happiness and very rarely (until "Polca Mazurca" ends the record on a soothing-in-comparison note) changes either tempo or mood. It's also not a record for world music purists, ideologue indie rockers or by-the-book dance music enthusiasts; you have to be a fan of the Reese's Peanut Butter Cup approach to music ("Hey, you got Afro Pop in my Indie Rock!" "You got Spanish Folk in my Lo Fi soundscape") to appreciate El Guincho's sound. If you are one of these lucky listeners, Alegranza is pure candy. ~ Tim Sendra, All Music Guide
Track Listing
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